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Must have uad plugins Patch#
Steve Levine - Producer (Culture Club, Beach Boys, Patch William) Simply using the CD release version as source audio for lacquer cutting frequently produces inferior results.” Vinyl records just don't have the high frequency headroom that digital does, so preparing a special set of sound files for lacquer cutting can make the vinyl version much better-sounding and more playable on lower cost cartridges. My final go-to plug-in is the Precision De-Esser, which is especially valuable in preparing master audio for vinyl releases. This is a very powerful and great sounding tool - the “Stereo Expander” can open up mixes that sound boxy and claustrophobic, while the “Mid-Hi Tune” and “LC-EQ” sections can add subtle sparkle to vocals or instruments depending on your choice of turnover frequency in both. It is the best sounding, most transparent digital limiter I've ever found, and is particularly useful for acoustic music where coloration is not desired. “For mastering, the UAD plug-in I use most frequently is the Precision Limiter. Paul Blakemore - Mastering Engineer (Esperanza Spalding, Ladysmith Black Mambazo) Über Händlersuche Downloads Blog Support Einloggen Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics Good for the person who works with one.Thunderbolt 2 Option Card Thunderbolt 2 Option Card So no problem if you don't have a Kush Compressor. and you can live with that for years and make good mixes. So what you need is a workhorse and two or three specialists per effect genre.
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But it doesn't do it better than the one I already own. Not because the new plugin does a bad job, no. Nevertheless:Īlmost without exception I am disappointed again and again. Most of the time these new plugins are praised by some Grammy-Award winners. I admit that I too "fall for" new GUIs with famous hardware emulations here and there. My experience over all the years: Better only a few effects, which cover all the possible situations, but which you know by heart and which you can use correctly and professionally. Many believe that this new plug-in will finally bring your mix to the top level you've been wanting for so long. 458a really adds a nice high shelf.Įvery day new plug-ins are released - with even more beautiful front panels and they emulate even more rare and mysterious hardware. TWK has serious mojo if you keep it < 40% or so, and seriously good distortion as you go up. N works great on wavetable synths, but otherwise I don't use it (I don't do vocals). I have N, TWK, and 458a (just purchased on this sale). Omega N is DARK - it really rolls off the high end. It's on my list to get some day, but no rush.
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Also SUPER easy to overdo, as it cautions. I found Clariphonic nice, but maybe redundant with other tools I have already. After that, it's flavors that may or may not work. If I was only going to have one compressor, I'd also make it a clean, hard-working one like Kotelnikov (or Pro-C2, which was one of the first I bought, etc.). I also have Kotelnikov GE, recently, and love it and use it! There are definitely compressors that live sonically between Kotelnikov and Novatron.
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But that isn't always desired If your music is pristine, it's probably not the right compressor. You can actually use Novatron pretty cleanly, depending on your settings, but it does have analog vibe all the time. That being said, do I need Clariphonic? The GAS is real.ĭepends a lot on the instrument(s/ation). If you haven't tried Novatron out, I strongly suggest demoing it, because you know pretty fast if you like it or not! It's a bit similar to MJUC in what it does, but I'd personally use MJUC for individual instruments and Novatron for mastering duties. With Novatron, you can get the sound right fast and it sounds incredibly good in 90% of the cases. I have Iron as well, but it's a bit too transparent for my taste and it's also a bitch to nail with the settings- especially the release. I have quite much experience on how an tube analog mastering compressor sounds (I also have one myself), and I strongly state that Novatron is most likely the closest to the real deal you can find ITB. It behaves very similarly to analog equipment (no pumping, etc) and with the harmonics and engaged does very pleasant things to both lows and highs and even to the stereo image. :D Well, to this date I have not encountered a compressor especially for mastering which does it "all"so transparently.